FORGETFULNESS

photo: unknown

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.



Billy Collins
1941




Billy Collins has commented: " This seems to be a poem that anyone over 30 has an immediate grasp of, and anyone over 40 or 50 has an extreme fondness for . . . . It begins by describing what one author called 'literary amnesia' which is the realisation that you have forgotten everything you've ever read. It is the kind of feeling that the mind is a small unfurnished apartment."

WEATHERS

This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly;
And the little brown nightingale bills his best,
And they sit outside at 'The Traveller's Rest,'
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.


Thomas Hardy
1840-1928

REALITY DEMANDS

La Cambe, Normandy

Reality demands
we also state the following:
life goes on.
It does so near Cannae and Borodino,
at Kosovo Polje and Guernica.

There is a gas station
in a small plaza in Jericho,
and freshly painted
benches near Bila Hora.
Letters travel
between Pearl Harbor and Hastings,
a furniture truck passes
before the eyes of the lion of Cheronea,
and only an atmospheric front advances
towards the blossoming orchards near Verdun.

There is so much of Everything
that Nothing is quite well concealed.
Music flows
from yachts near Actium
and couples on board dance in the sunlight.

So much keeps happening,
that it must be happening everywhere.
Where stone is heaped on stone,
there is an ice cream truck
besieged by children.
Where Hiroshima had been,
Hiroshima is again
manufacturing products
for everyday use.

Not without its charms is this terrible world,
not without its mornings
worth our waking.

In the fields of Maciejowice
the grass is green
and on the grass is -- you know how grass is --
transparent dew.

Maybe there are no fields other than battlefields,
those still remembered,
and those long forgotten,
birch woods and cedar woods,
snows and sands, iridescent swamps,
and ravines of dark defeat
where today, in sudden need,
you squat behind a bush.

What moral flows from this? Maybe none.
But what really flows is quickly-drying blood,
and as always, some rivers and clouds.

On the tragic mountain passes
the wind blows hats off heads
and we cannot help--
but laugh.


Wislawa Szymborska
1923-2012


Nobel Prize Winner 1996




translated by  Joanna Trzeciak

PLANET EARTH

It has to be spread out, the skin of this planet,

has to be ironed, the sea in its whiteness;

and the hands keep on moving,

smoothing the holy surfaces.

Pablo Neruda

'In Praise of Ironing'

It has to be loved the way a laundress loves her linens,

the way she moves her hands caressing the fine muslins

knowing their warp and woof,

like a lover coaxing, or a mother praising.

It has to be loved as if it were embroidered

with flowers and birds and two joined hearts upon it.

It has to be stretched and stroked.

It has to be celebrated.

O this great beloved world and all the creatures in it,

It has to be spread out, the skin of this planet.

The trees must be washed, and the grasses and mosses.

They have to be polished as if made of green brass.

The rivers and little streams with their hidden cresses

and pale-coloured pebbles

and their fool's gold

must be washed and starched or shined into brightness,

the sheets of lake water

smoothed with the hand

and the foam of the oceans pressed into neatness.

It has to be ironed, the sea in its whiteness.

and pleated and goffered, the flower-blue sea

the protean, wine-dark, grey, green, sea

with its metres of satin and bolts of brocade.

And sky - such an O! overhead - night and day

must be burnished and rubbed

by hands that are loving

so the blue blazons forth

and the stars keep on shining

within and above

and the hands keep on moving.

It has to be made bright, the skin of this planet

till it shines in the sun like gold leaf.

Archangels then will attend to its metals

and polish the rods of its rain.

Seraphim will stop singing hosannas

to shower it with blessings and blisses and praises

and, newly in love,

we must draw it and paint it

our pencils and brushes and loving caresses

smoothing the holy surfaces.

Patricia Kathleen Page

1916-2010

By special resolution of the United Nations, in 2001 Page's poem "Planet Earth" was read simultaneously in New York, the Antarctic, and the South Pacific to celebrate the International Year of Dialogue Among Civilizations.

SNOW

It began to snow at midnight. And certainly
the kitchen is the best place to sit,
even the kitchen of the sleepless.
It's warm there, you cook yourself something, drink wine
and look out of the window at your friend eternity.
Why care whether birth and death are merely points
when life is not a straight line.
Why torment yourself eyeing the calendar
and wondering what is at stake.
Why confess you don't have the money
to buy Saskia shoes?
And why brag
that you suffer more than others.
If there were no silence here
the snow would have dreamed it up.
You are alone.
Spare the gestures, Nothing for show.



Vladimir Holan
1905-1980


Translated from the Czech by Ian and Jarmila Milner

NUPTIAL SLEEP

Psyche awakened by Cupid's Kiss

Antonio Canova

1757-1822

Venetian Sculptor

At length their long kiss severed, with sweet smart:

And as the last slow sudden drops are shed

From sparkling eaves when all the storm has fled,

So singly flagged the pulses of each heart.

Their bosoms sundered, with the opening start

Of married flowers to either side outspread

From the knit stem; yet still their mouths, burnt red,

Fawned on each other where they lay apart.

Sleep sank them lower than the tide of dreams,

And their dreams watched them sink, and slid away.

Slowly their souls swam up again, through gleams

Of watered light and dull drowned waifs of day;

Till from some wonder of new woods and streams

He woke, and wondered more: for there she lay.

Dante Gabriel Rossetti

1828-1882

Poet, Illustrator, Painter and Translator

LAMENT

  The Boathouse,

Dylan and Caitlin Thomas's home in Laugharne

When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale tit,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of bitches),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.

When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!

When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.

Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!


Dylan Thomas
1914-1953





Niall Griffiths wrote in the Guardian, 1st March 2008:

"Laugharne", Dylan wrote of his adopted town, is a "timeless, mild, beguiling island of a town", which has a "sane disregard for haste", a "generous acceptance of the follies of others, having so many, ripe and piping, of its own", a "legendary lazy little black-magical bedlam by the sea". To his list of the town's attributes - which include seven pubs, a portreeve, a St Bernard (without brandy) and a Rolls-Royce selling fish and chips - can now be added a museum dedicated to himself, several respectable restaurants and, at last, an arts festival, growing rapidly but still young enough to be intimate and intriguing and cocksure and arrogant, all the enviable epithets of the up-and-coming.